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Bethany Anne Lind
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Atlanta Journal Constitution, "Guess Who's Coming to Dinner" at True Colors Theatre

"...Kreidler and Leon's top-notch cast deliver a sterling production — one that makes a case for reappraising the somewhat creaky living-room drama the same way Leon's Broadway revival of Lorraine Hansberry's "A Raisin in the Sun" did."

"...the wonderful Bethany Anne Lind..."

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Atlanta Intown Paper, "Guess Who's Coming to Dinner" at Kenny Leon's True Colors Theatre

"Speaking of fine performances, there’s no shortage of them in 'Guess Who’s Coming to Dinner': the luminous Tess Malis Kincaid, Bethany Anne Lind, Tom Key, and Tory Kittles are perhaps first among equals."

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Washington Post, "Really Really" at Signature Theatre

"Bethany Anne Lind, in a performance of marvelous, if intentionally enigmatic, control."

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Talkin' Broadway, "Really Really" at Signature Theatre

“While the entire cast works together as smoothly as interlocking gears, Lind is riveting in the pivotal role...”

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Washington Examiner, "Really Really" at Signature Theatre

"Lind excels as Leigh, fragile in appearance but in fact hard as nails."

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Alexandria Times, "Really Really" at Signature Theatre

“Fine performances radiate from the ensemble cast, with Lind in the lead crafting a nuanced portrait of the sociopathic coed Leigh.”

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Washingtonian, "Really Really" at Signature Theatre

“...a brilliant young cast, particularly Lind and Odmark, whom it’s hard not to be drawn to.”

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Maryland Theatre Guide, "Really Really" at Signature Theatre

“This is a true ensemble piece and is some of the best ensemble acting you will see anywhere. The tension between Bethany Anne Lind and Jake Odmark will keep you guessing how it all turns out."

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Curtain Up, "Really Really" at Signature Theatre

“Bethany Anne Lind, in a performance that is remarkable for its surprises”

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Atlanta Journal Constitution, "The Glass Menagerie" at Georgia Shakespeare

"Lind, who has proven herself again and again as a young actress of remarkable versatility, goes off the charts in her approximation of the emotionally paralyzed Laura, who we know was modeled on Williams’ own sister. Swept away in the whimsy of her unicorn ballet and later stricken with asthmatic panic at the thought of answering the knock of her caller, Lind’s account of Laura’s agony is devastating."

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Atlanta Journal Constitution, "August: Osage County" at Alliance Theatre

As eldest daughter Barbara's young pot-head daughter, Jean, Bethany Anne Lind nails the ennui of a woman forced to grow up too soon -- and likely to remain there."

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Atlanta Journal Constitution, "Carapace" at Alliance Theatre

"Bethany Anne Lind must get tired of playing so many kid roles -- the actress is probably pushing, what, all of 25? -- but it’s hard to feel too sorry for her when she’s so darn good at it. Among her most recent highlights: a precocious kindergartner (in Synchronicity’s “Junie B. Jones”), an innocent adolescent (Horizon’s “Night Blooms”) and a rebellious teenager (Aurora’s “The Storytelling Ability of a Boy”).

"Two seasons ago, Lind shone in the Alliance’s “26 Miles,”... Now, curiously enough, in the Alliance’s world premiere of David Mitchell Robinson’s “Carapace,” its 2010 Kendeda winner, Lind co-stars as a high school student who reluctantly reunites with her estranged father

"For her part, however, wonderful actress that she is, Lind isn’t just going through the same old motions. To begin with, “Carapace” spans several years, and much of it is told in flashback, which gives her a greater range to play as the character of Margo matures.

"Moreover, Margo suffers from a debilitating stutter that might have seemed maudlin or self-indulgent in less sensitive hands... Lind brings a nuance to the role that’s heartbreaking."

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Atlanta Intown Paper, "Carapace" at Alliance Theatre

"Ms. Lind is a wonder, more than fulfilling the promise she showed in Horizon Theatre’s “Night Blooms,” among other plays."

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Sunday Paper, "The Storytelling Ability of a Boy" at Aurora Theatre

"Or to watch Bethany Anne Lind, so gifted at playing the goody-goodies ("Our Town" "Steel Magnolias") take such a gutsy stab at a grungy hellion."

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Sunday Paper, "Night Blooms" at Horizon Theatre

"Bethany Anne Lind, superb."

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Atlanta Journal Constitution, "Our Town" at Kenny Leon's True Colors Theatre

"the superb Bethany Anne Lind"

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Sunday Paper, "Our Town" at Kenny Leon's True Colors Theatre

"As the innocent, ill-fated girl next door for whom he falls, the lovely Lind registers as the undisputed stand out among the ensemble."

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ATL Arts Critic, "Our Town" at Kenny Leon's True Colors Theatre

"Bethany Anne Lind, as Emily, is simply adorable and completely believable as a teenager."

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Broward Palm Beach New Times, "The Storytelling Ability of a Boy" at Florida Stage

"I'd pay a good deal more than that to see the look on Dora's face when she decides to drop the bullshit and make love to Peck. Even she can't tell if she's doing it out of mercy, desire, or loneliness, and you can read all three in Lind's lovely face."

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Palm Beach Post, "The Storytelling Ability of a Boy" at Florida Stage

"Bethany Anne Lind (Dora)... underneath her simmering anger, she let us see the girl who is so desperate to be loved."

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Palm Beach Daily News, "The Storytelling Ability of a Boy" at Florida Stage

"Bethany Anne Lind burns brightly as Dora."

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Atlanta Journal Constitution, "Junie B. Jones" at Synchronicity Theatre

"It takes a special kind of actress to pull off a character like Junie B. Jones... That’s why it’s such a treat to watch Bethany Anne Lind return as Junie B.

"Yes, Lind knows all the ticks of a 5-year-old’s trade: the swinging pelvis, the tugging at everything, the roller-coaster of emotions and expressions, and the slow blossoming of awareness of the world around her. But Lind has done something more...

"Lind delighted... much of the reason to attend “Junie B.” is to watch a talent like Bethany Anne Lind mature as an actress —- by revisiting her youth."

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Art Reviews, "26 Miles" at Alliance Theatre

"While all the acting is good, the highlight of the show is watching Olivia, portrayed by Bethany Anne Lind."

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Sunday Paper, "The Last Schwartz" at Jewish Theatre of the South

"the ditzy shiksa played to vapid perfection by Bethany Anne Lind as a sexy good-time girl who's, like, wow, blown away by how chilled-out everybody isn't."


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